Seen.
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Examples

Six treatments. One skeleton.

Every card has the same bones: name and title top left, one hero stat, a self-reported line, the Seen. mark in the corner. That way it's recognisable while someone scrolls past it. Colour, texture, shape and the numeral face belong to the specialism.

Growth marketer
Lab

Faint graph paper and a crosshair in the corner. Built to read like a test result, because that's what growth work is.

Performance marketer
Ticker

Tighter corners, a faint diagonal rake, chevrons climbing out of the corner. The most benchmark-legible numbers on the platform.

Email / lifecycle marketer
Receipt

Ruled lines and a perforated tear under the name. A statement of account for work that usually goes unseen.

Social / community marketer
Neon

Soft corners, a halftone field and Syne set tight. The only skin that already looks like it belongs in a feed.

Content / SEO marketer
Press

Newsprint column rules, a wonky italic serif and a pilcrow in the corner. Compounding work, set like a masthead.

Brand / creative marketer
Poster

Soft discs bleeding off the edge and an italic hero number. Built for people whose best work is visual - and shown with a slot still open.

These are illustrative cards, not real people. We won't put invented testimonials or fabricated logos on this site, and that includes pretending these are customers. Real cards replace them the moment real marketers are happy to be shown here.

The spec

Why the card looks like this.

  • 1080 × 1350, four-by-five portrait. The tallest format LinkedIn won't crop, so it takes the most vertical space in a mobile feed. Square export is a secondary option.
  • The hero stat reads as one line. Number, then what it is, then how it happened, so the eye lands on the figure and the context arrives half a second later.
  • Only the hero panel is filled. Hierarchy comes from size and colour, never from metric type. A count can outrank a percentage if that's the number you're proud of.
  • Texture is generated, not fetched. Graph paper, halftone, newsprint rules and soft discs are all CSS, so the server-side renderer reproduces them exactly.
  • Legible at thumbnail size. Most people meet your card small, in a feed, moving fast. The type scale is tested at that size first and at full resolution second.
  • A quiet "self-reported" line, always. Stated up front as a credibility feature rather than a legal disclaimer. Naming the weakness keeps the whole thing honest.
  • The Seen. mark, small, in the corner. A maker's stamp: present and legible, never sized like an advert.

Yours takes about two minutes.

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